Things are really starting to pick up now, I'm nervous (no Sh*t Sherlock) but I know I can do this. It is merely a case of being super energised onstage and having a really clear plan of what the journey through the performance is and how I want the audience to come with me and experience it.
Not really any time to write, to busy doing, but reflection time is coming soon...
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This, to the best of my ability, is my journal of consequence for my Into the New performance project. A collection of thoughts, ideas, reminders and links to inspiration, it should be a daily chart of some element of my process to performance in March
1 comment:
The pressure of having to make final decisions and stick to them is always a good form of pressure for me...I can respond to 'This is it, step up to the challange' and work well on a presentational level. On reflection, this is because I can allow myself to indulge in the single (if complex) task of performing.
I think one of the key points of note in this process is the complexity of the relationship between devisor, writer, director and performer. I have acknowledged this before, but at this emergent point prior to performance it is incredibely clear. During the process I was constantly confused about my role and unable to have any outside eye time. The roles of devisor, performer and director were entangled, I was making decisions without a clear picture of what I was trying to achieve (in some respects this meant for an organic process but it also meant I was relying heavily on the outside eye opinions of others which undermined my confidence in my own opinion)
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